Monday, January 02, 2006

White Doves at Morning - novel by James Lee Burke

I recently finished James Lee Burke's 2002 novel White Doves at Morning. I've been a fan of his writing for years, since Heaven's Prisoners. His novels include memorable characters, fascinating settings , dialogue that can be both lyrical and brutal, and addictive plots.

This is a departure for him - a historical novel. This one is set in the American South, mostly Louisiana, during the Civil War and after. It follows 4 primary characters:
Willie Burke - a working class southerner who joins the Confederate army because he's afraid of seeming a coward.
Robert Perry - from a slave-holding wealthy family and a friend of Willie's, who joins because he believes in The Cause.
Abigail Dowling - a transplanted Boston native, who is active in the Underground Railroad, and who catches the eye of both Robert and Willie.
Flower Jamison - a former slave whose ability to read is a threat and who is at the heart of much of the plot of the book.

Here's a taste:

Chapter One

1837


The black woman's name was Sarie, and when she crashed out the door of the cabin at the end of the slave quarters into the fading winter light, her lower belly bursting with the child that had already broken her water, the aftermath of the ice storm and the sheer desolate sweep of leaf-bare timber and frozen cotton acreage and frost-limned cane stalks seemed to combine and strike her face like a braided whip.
She trudged into the grayness of the woods, the male shoes on her feet pocking the snow, her breath streaming out of the blanket she wore on her head like a monk's cowl. Ten minutes later, deep inside the gum and persimmon and oak trees, her clothes strung with air vines that were silver with frost, the frozen leaves cracking under her feet, she heard the barking of the dogs and the yelps of their handlers who had just released them.
She splashed into a slough, one that bled out of the woods into the dark swirl of the river where it made a bend through the plantation. The ice sawed at her ankles; the cold was like a hammer on her shins. But nonetheless she worked her way upstream, between cypress roots that made her think of a man's knuckles protruding from the shallows. Across the river the sun was a vaporous smudge above the bluffs, and she realized night would soon come upon her and that a level of coldness she had never thought possible would invade her bones and womb and teats and perhaps turn them to stone.
She clutched the bottom of her stomach with both hands, as though holding a watermelon under her dress, and slogged up the embankment and collapsed under a lean-to where, in the summer months, an overseer napped in the afternoon while his charges bladed down the cypress trees for the soft wood Marse Jamison used to make cabinets in the big house on a bluff overlooking the river.
Even if she had known the river was called the Mississippi, the name would have held no significance for her. But the water boundary called the Ohio was another matter. It was somewhere to the north, somehow associated in her mind with the Jordan, and a black person only needed to wade across it to be as free as the children of Israel.
Except no black person on the plantation could tell her exactly how far to the north this river was, and she had learned long ago never to ask a white person where the river called Ohio was located...
The dawn broke hard and cold, a yellow light that burst inside the woods and exposed her hiding place and brought no warmth or release from the misery in her bones. There was a dirty stench in the air, like smoke from a drowned campfire. She heard the dogs again, and when she rose to her feet the pain inside her told her she would never outrun them.
Learn from critters, her mother had always said. They know God's way. Don't never ax Master or his family or the mens he hire to tell you the troot. Whatever they teach us is wrong, girl. Never forget that lesson, her mother had said.
The doe always leads the hunter away from the fawn, Sarie thought. That's what God taught the doe, her mother had said.
She wrapped the baby in the blanket that had been her only protection from the cold, then rose to her feet and covered the opening to the lean-to with a broken pine bough and walked slowly through the woods to the slough. She stepped into the water, felt it rush inside her shoes and over her ankles, then worked her way downstream toward the river. In the distance she heard axes knocking into wood and smelled smoke from a stump fire, and the fact that the work of the plantation went on rhythmically, not missing a beat, in spite of her child's birth and possible death reminded her once again of her own insignificance and the words Master had used to her yesterday afternoon.
"You should have taken care of yourself, Sarie," he had said, his pantaloons tucked inside his riding boots, his youthful face undisturbed and serene and without blemish except for the tiny lump of tobacco in his jaw. "I'll see to it the baby doesn't lack for raiment or provender, but I'll have to send you to the auction house. You're not an ordinary nigger, Sarie. You won't be anything but trouble. I'm sorry it worked out this way."
When she came out of the water and labored toward the edge of the woods, she glanced behind her and in the thin patina of snow frozen on the ground she saw her own blood spore and knew it was almost her time, the last day in a lifetime of days that had been marked by neither hope nor despair but only unanswered questions: Where was the green place they had all come from? What group of men had made them chattel to be treated as though they had no souls, whipped, worked from cain't-see to cain't-see, sometimes branded and hamstrung?

The barking of the dogs was louder now but she no longer cared about either the dogs or the men who rode behind them. Her spore ended at the slough; her story would end here, too. The child was another matter. She touched the juju bag tied around her neck and prayed she and the child would be together by nightfall, in the warm, green place where lions lay on the beaches by a great sea.
But now she was too tired to think about any of it. She stood on the edge of the trees, the sunlight breaking on her face, then sat down heavily in the grass, the tops of her shoes dark with her blood. Through a red haze she saw a man in a stovepipe hat and dirty white breeches ride over a hillock behind his dogs, two other mounted men behind him, their horses steaming in the sunshine.
The dogs surrounded her, circling, snuffing in the grass, their bodies bumping against one another, but they made no move against her person. The man in the stovepipe hat reined his horse and got down and looked with exasperation at his two companions. "Get these dogs out of here. If I hear that barking anymore, I'll need a new pair of ears," he said. Then he looked down at Sarie, almost respectfully. "You gave us quite a run."
She did not reply. His name was Rufus Atkins, a slight, hard-bodied man whose skin, even in winter, had the color and texture of a blacksmith's leather apron. His hair was a blackish-tan, long, combed straight back, and there were hollows in his cheeks that gave his face a certain fragility. But the cartilage around the jawbones was unnaturally dark, as though rubbed with blackened brick dust, knotted with a tension his manner hid from others.
Rufus Atkins' eyes were flat, hazel, and rarely did they contain or reveal any definable emotion, as though he lived behind glass and the external world never registered in a personal way on his senses...
"She done dropped it, huh?" he said.
"That's keenly observant of you, Clay, seeing as how the woman's belly is flat as a busted pig's bladder," Rufus Atkins replied.
"Marse Jamison says find both of them, he means find both of them Rufus," the man named Clay said, looking back into the trees at the blood spots in the snow.
Rufus Atkins squatted down and ignored his companion's observation his eyes wandering over Sarie's face.
"They say you filed your teeth into points 'cause there's an African king back there in your bloodline somewhere," he said to her. "Bet you gave birth to a man-child, didn't you, Sarie?"
“My child and me gonna be free. Ain't your bidness no more, Marse Rufus," she replied.
“Might as well face it, Sarie. That baby is not going to grow up around here, not with Marse Jamison's face on it. He'll ship it off somewhere he doesn't have to study on the trouble that big dick of his gets him into. Tell us where the baby is and maybe you and it will get sold off together."
When she didn't reply to his lie, he lifted her chin with his knuckle. "I’ve been good to you, Sarie. Never made you lift your dress, never whipped you, always let you go to the corn-breaks and the dances. Isn't it time for a little gratitude?" he said.
She looked into the distance at the bluffs on the far side of the river, the steam rising off the water in the shadows below, the live oaks blowing stiffly against the sky. Rufus Atkins fitted his hand under her arm and began to lift her to her feet.
She seized his wrist and sunk her teeth into his hand, biting down with her incisors into sinew and vein and bone, seeing his head pitch back hearing the squeal rise from his throat. Then she flung his hand away from her and spat his blood out of her mouth...

***************************

Sarie's mother and a wet nurse with breasts that hung inside her shirt like swollen eggplants walked along the banks of the slough until late afternoon. The sun was warm now, the trees filled with a smoky yellow light, as though the ice storm had never passed through Ira Jamison's plantation. Sarie's mother and the wet nurse rounded a bend in the woods, then saw footprints leading up to a leafy bower and a lean-to whose opening was covered with a bright green branch from a slash pine.
The child lay wrapped in a blanket like a caterpillar inside a cocoon, the eyes shut, the mouth puckered. The ground was soft now, scattered with pine needles, and among the pine needles were wildflowers that had been buried under snow. Sarie's mother unwrapped the child from the blanket and wiped it clean with a cloth, then handed it to the wet nurse, who held the baby's mouth to her breast and covered it with her coat.
"Sarie wanted a man-child. But this li'1 girl beautiful," the wet nurse said.
"She gonna be my darlin' thing, too. Sarie gonna live inside her. Her name gonna be Spring. No, that ain't right. Her name gonna be Flower," Sarie's mother said.

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